Top Picks - New Releases

With its themes of rampant urban decay and crime, mistreatment of the elderly, and vigilantism, Harry Brown will inevitably be compared to earlier movies from Death Wish to Gran Torino. The comparisons are apt, but with the able assistance of Michael Caine in the title role, director Daniel Barber and screenwriter Gary Young's tale stands on its own, grimly but compellingly. Caine's Harry Brown, a retiree and former marine, lives alone in a flat in a decrepit London council estate, spending his time visiting his comatose wife in the hospital, playing chess at the local pub with his only friend (David Bradley), and gazing out at the quotidian violence and drug dealing carried out with virtual impunity by the insolent young thugs and lowlifes on the estate grounds. It's a lonely existence that only gets sadder when his wife dies and his pal is murdered; and when the police inform him that nailing those responsible will be next to impossible, Harry turns dirty. His first killing is in self-defense, but once he gets hold of a gun (obtained from a dealer-junkie in a nightmarishly vivid scene), it is on, as our "vigilante pensioner" takes no prisoners in his pursuit of street justice. The cops, who are mostly depicted as clueless and thoroughly inept, assume the local gangs are responsible; only Detective Inspector Alice Frampton (Emily Mortimer), about the only one with a brain and a heart, suspects Harry, and she plays an important role as the film careens towards its operatically brutal climax. The scenes of violence are intense but very well staged, and the film's overall look and downbeat color palette effectively convey the sense of squalid hopelessness permeating this stratum of British existence. Harry Brown isn't a lot of fun, but it will stick with you. --Sam Graham

Hang on for this high-octane thrill ride that goes even deeper into the gritty world of an outlaw biker gang! Reeling from the combined pressure of an ATF crackdown and an unprovoked murder, the Sons face a far more deadly threat from a cold-blooded enemy who will stop at nothing to drive them out of Charming—for good. As Jax and Clay square off over questions of leadership and loyalty, lines are drawn and chaos reigns as the club threatens to destroy itself—from the inside out.

Metroid Franchise’s Heroine Gets Personal. For decades, Samus Aran has been known as one of the first female protagonists in video games and one of the most enigmatic. Having traded her haunted past for the solitary life of a bounty hunter, Samus finally tells her own tale in this revealing, personal story of her failings, her flaws and ultimately her motivation. Metroid: Other M is an unprecedented collaboration that blends the slick, action-packed production of the world-renowned Team Ninja development team with the game design talents of the creators of the original Metroid. Metroid: Other M is a dramatic new direction for a legendary franchise and a bold new blend between cinematics, storytelling and the best in interactive entertainment.

Ann Wilson and her sister Nancy first showed the world that women can rock when their band Heart stormed the charts in the 70s with songs like Crazy On You, Magic Man, and Barracuda, and many more. They continued topping the charts through the 80s and into the 90s with huge hits like These Dreams, Alone, What About Love, If Looks Could Kill, Never, and a string of other hits that showcased the sisters enormous talents. Along the way, Heart sold more than 30 million records, had 21 Top 40 hits, sold out arenas worldwide, and had a profound influence on rock music. Red Velvet Car -- the most personal and powerful work yet from Ann and Nancy Wilson, and their first album in 6 years -- takes generations of Heart fans on what truly feels like the musical ride of a lifetime. Powerfully produced by Ben Mink, Red Velvet Car is a thoroughly electrifying song cycle of largely acoustic-based sound and a stunning album with a true and renewed sense of purpose. Ann and Nancy committed themselves to writing and recording an album that was as authentic as possible, culling from their own personal experiences and some universal themes. The result on Red Velvet Car is an album of breathtaking intimacy and honesty.

Patty and Walter Berglund were the new pioneers of old St. Paul—the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbor, who could tell you where to recycle your batteries and how to get the local cops to actually do their job. She was an enviably perfect mother and the wife of Walter’s dreams. Together with Walter—environmental lawyer, commuter cyclist, total family man—she was doing her small part to build a better world.But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? What exactly is Richard Katz—outré rocker and Walter’s college best friend and rival—still doing in the picture? Most of all, what has happened to Patty? Why has the bright star of Barrier Street become “a very different kind of neighbor,” an implacable Fury coming unhinged before the street’s attentive eyes?In his first novel since The Corrections, Jonathan Franzen has given us an epic of contemporary love and marriage. Freedom comically and tragically captures the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom’s characters as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.